Tuesday, June 15, 2010

Fresh Directed By Boaz Yakin Explained

By Terry Hawkins

Boaz Yakin is typically seen as a work-for-hire writer and director. It's not his fault, he's just a good writer with bills to pay, so he takes a lot of sub-par studio projects that don't really offer him anything interesting to do in the script. So it's weird that a movie like Fresh comes from someone with a track record for mediocrity, but Fresh really is one of the all time must see movie downloads.

This movie came after Boaz Yakin's self imposed exile. At a certain point, he became disillusioned with the film industry and declared that he would be taking a hiatus from writing, at least until he felt he had something important to say. The result was a movie that truly does make a powerful statement.

Fresh is the name of the young hero of the movie, a child who works as a drug mule for various dealers and scumbags around the city. He makes around twenty to fifty bucks per run, and saves it all up in a coffee can while his dealers have assumed he's been spending it on comic books and candy bars. What exactly is he saving it for? Well, you'll find out, and you'll be honestly shocked and surprised at exactly how deep his plans really go.

Each week, Fresh spends one afternoon playing chess with his father who offers him guidance and a moment to reflect upon what's going on in his life. These are sort of the Greek chorus scenes of the film, allowing both Fresh and the audience to consider what has happened before and where the movie is going to go from here. The chess also serves as a metaphor for what Fresh is doing while on the clock.

The movie is sort of like Fistful of Dollars as a hood story. Two of Fresh's friends are killed by one of the dealers he works for, and he takes it upon himself to exact an incredible revenge plan that gives you one surprise after another. Fresh is a young man of incredible intelligence, and his scheme is one of the all time greatest plots in film history.

Fresh's scheme to take the badguys down is really incredible, serving as a fascinating parallel to the chess games he plays with his father. The master stroke of his plan is that none of his opponents suspect him of a thing, as he is, after all, just a kid. He essentially manages to play dumb and innocent, while in fact outsmarting everyone around him.

The movie is, at times, brutally and shockingly violent. This is necessary to drive home the reality of Fresh's situation. He's not in a good place in life, his bosses menace him and threaten him with death at every turn, and he walks a tightrope in order to keep himself alive while at the same time taking down the people who torment him and his friends and family.

The film is truly one of a kind. Clockers runs in a somewhat similar vein, but Fresh is built around a truly unique concept. The movie takes a young child, around ten years old, and pits him against ruthless, violent, sociopath criminals. It's not a children's movie, even though the hero is a child. It is a film about the power of morality and righteousness over compromised morality and cruelty, and truly a fascinating thriller. - 38505

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